Friday, January 3, 2020

Blog #3 A Change in Street Art


For many years throughout Cuba’s history the only street art has been paintings of Che Guevara or Fidel Castro because of the Revolution and all that it stood for. However, more recently artists have been veering away from that and appealing to the common citizens and issues. Similar to the more formal paintings done by artists such as Los Carpinteros, some of street art has a political message behind it which is their subtle way of stating their opinion to the public and government. Artists like this include Yulier Rodriguez who takes debris he’s found in the street, takes it home to paint on, then places it back where he found it. This form of art represents the decay of the Cuban society. How things are so often falling apart and not being fixed and also that for the artists it’s probably easier to use this method of a canvas rather than trying to keep buying real canvases as they’re most likely not very accessible.
            Other street art that can be seen nowadays are portraits of the elder as well as of children. They are not of any people specifically but just the common citizen and neighbor. The paintings of the elder are meant to show the traditional Cuban spirit through the eyes of the oldest citizens, rather than politicians, who have been a part of the country through all its phases in history. They have so much knowledge and stories about their lives during the Revolution that deeply connects them to their country and the artists Jose Parla and JR wanted to tell those stories. Other murals painted on the street are of the neighborhood children, done by Marcel Lopez. After getting permission from the parents and the authorities he takes about a month to paint a portrait of a child, having done about 15 already. These children are meant to represent the construction and development of society as they are the future of Cuba.
            One of the things I found interesting was the music in Cuba, the education of it specifically. It seems that Cubans are so dedicated to teaching their children all about their culture’s music and where it came from. The children learn at a young age since music education is a priority, there are schools at elementary level all over the country. Music is such an important part of the country’s history that it’s important to pass down to younger generations. There are so many influences in modern Cuban music that come from past ancestors and religion such as the Cabildos or Santeria roots. Their music helps define who they are as a society. One of the popular places to see that ancestral influence is at Callejon de Hamel where the walls are covered in paintings and the African roots are celebrated. A well known music artist of today based out of Cuba is Gente de Zona who is recognized from their collaboration with Enrique Iglesias on “Bailando.” They bring a very modern touch to the typical Cuban rhythms. They had called their sound a “Cuban reggaeton” as it’s a mix of Cuban rhythms into a reggaeton base. What their success means to them is that they were able to prove to themselves and others than artist from Cuba are able to get to the top of the charts, that it’s possible to truly succeed regardless of nationality.
            My question now is: do you think that Cuban music will always have some of it’s roots played into it or will it become more European/Americanized the more open the country becomes? Also, do you think that authorities are going to keep allowing street artists to paint things like Yulier Rodriguez with his more political pieces, however subtle they may be?

8 comments:

  1. Hey Allie,

    I think Cuban music will always have some of its' roots. There may be more musicians that become americanized- as we can already see in some artists. One man in one of the videos who was including more hip hop influences to his music and Yanet the cellist from a PBS article who performed more rock related songs over classical; but I think there will always be some that hold to traditional Cuban music. Cuba, after all, seems to be a country very proud of its culture and it is known around the world for this culture. As for your second question, I think authorities may try to restrict street artists more, but I think they may have a difficult time. As more eyes from the rest of the world turn to Cuban art like the work Yulier does the harder it will be for the government to enact unfair regulations.

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    1. I agree with your opinion that Cuban culture will always be a part of their music no matter how much outside influence comes into the country. I think it will be interesting to see how these Cuban artists will adapt their historic rhythms to incorporate the newer styles they are hearing from other countries such as hip hop and electronic sounds. Since the young children of Cuba are learning all about their musical heritage in schools and have more of an opportunity to hear the modern music that is being created around them, I think that will generate an interesting combination of the two styles of music- classical and modern. That's a good point you make about the street art and how the eyes of the rest of the world are turning to Cuba as of recently. I believe that if more regulations are put in place for street art like Yulier's that it will end up with a situation similar to the Decree 349 issue. How people are being constantly protesting and being put in jail because of their opposition to the new art laws.

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  2. Allie,

    I feel very inspired by the change that is coming in Cuban artists. I love how Rodriguez fits social messages in his work in a subtle way. Due to the restrictions that Cuba has, I feel as though being cautious in this aspect is the best way to go. Also, I'm not sure about the accessibility of canvases or other materials, but even if they were accessible I still think that Rodriguez would put his work on decayed materials. His statement about decay would not be as strong if it was painted on something that was in perfect condition. To add onto Rodriguez's ability to make his work seen by the public, I love how he leaves little paintings around the city for people to pick up. As we have seen in other sources, Cuban art is not normally bought by its people since they can't afford it. Rodriguez closes that gap by giving his work away for free. I fear that not only Cuban music will become heavily Americanized, but other forms of its culture will as well. A lot of the times Caribbean islands are overtaken by tourism. Although tourism brings in money to these nations, it also influences the culture to change.

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  3. Allie,

    I loved your post! I can't wait to see the Callejon de Hamel - it is one of the places that I feel I can really establish a connection with Cuba. As for your questions, I really hope that Cuban artists don't shift gears tremendously and abandon their roots because they're more exposed to outsider sources. I think the real beauty of Cuba lies in it's 'virginity' from the world (for lack of a better word). However, I know that a change is inevitable as things become more available for Cuban artists, but I predict more collaborations with outside artists instead of abandonment of their originality. I feel like street artists like Yulier really need to push the wrong buttons in the Cuban government to be shut down completely. It seems to me like he is aware of this, and unless something unpredictable happens within the government that makes them switch gears then I think they will continue to 'allow' his art work, and many others art as well. It is good for art tourism, and the country depends on tourism to keep itself afloat economically. Like Molly said above, tourism can influence a raw culture like that of Cuba to change, and I strongly believe that in order for the country to maintain its cultural purity, it needs to keep a healthy balance between outside influences and the culture itself.

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    1. Hi Emely,
      I'm excited to see Callejon de Hamel too! I think it'll be so different in person than seeing the pictures online. I completely agree with your comment that for Cuba to keep it cultural purity Cuba needs to keep a healthy balance between its outside influences and the culture inside the country. I think one of the main attractions to Cuba is the fact that it is so untouched by the outside world. People are intrigued that when they visit the country it's like flashback in time. It's also a good point you make about art and the laws that go along with with it and how they are related to tourism. Artwork is a big part of the culture within the country that can't be found elsewhere. It's also a very good point you make that the art laws are somewhat dependent on tourism. I think that the more that tourism is prevalent in the country the less that the laws are enforced. Tourism is such a big part of the Cuban economy that I feel like the government would be less likely to be forceful of the strict Cuban laws. Then again, I'm conflicted about what they will do because as the days go on so does the talk of the daily struggle of Cubans. I'm interested to see how the government handles this conflict since I feel like there could be both benefits and consequences no matter what Cubans choose to do.

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  4. I think Cuban musicians will try to keep ensure the roots of Cuban music are always incorporated. I don't really see a need to modernize or westernize completely as tourists love the charm of the country's music. Cuba is largely untouched, and that is exactly what pulls people in. Although the roots will always exist, I do believe artists will continue to adapt to the global music industry, but than can be seen with any country's music. Asian pop will still include traditional instruments, Latin American pop or hip-hop still is distinguishable as Latin music, and hopefully this will ring true for Cuba. I will say Cuba is in an interesting position. Musicians want to adapt to lure in more people, but also likely want to keep their music as Cuban as possible to not lose its charm. Likewise, Cuban artists are now on the radar of so many around the world as Cuba is less isolationist. This is why I believe Cuba will have a very difficult time regulating political art in the future. I'm sure they will try, as they already have with Decree 349, but it will be increasingly difficult as artists rebel, Cubans living in other countries bring attention to the matter, and other countries pay more attention. Do you think other countries will try to step in and stop censorship due to it being a human rights issue?

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  5. I think in all cases there is a possibility as the country opens up to the world that some of their music may evolve. But, I believe since they are taught music at such a young age that they will maintain their roots and still produce authentic Cuban music but may have a spin-off too the new music coming out. “Children begin to learn music when they are very young. They start to learn with Classical music” (“Music Education in Cuba: After the Revolution”). Young Cuban students are taught all platforms of music while in school, so this is why I believe they will maintain their heritage because it’s all they know. Not to mention, it seems as if Cubans are very good at passing down generation to generation, in ways such as music, art, traditions, memories, and stories. Think of how many things have been passed down to your family and what traditions have been preserved over the years. Do you believe that young Cuban musicians in our age group will mix old music with the new music and merge the two together to preserve authentic Cuban music?

    As of right now, yes I believe they will continue to let street artists like Yulier Rodriguez to paint on the streets of Havana. According to Yulier, he only will paint in visible sights and on abandoned buildings. “Rodriguez’s art isn’t political enough that he’s been told to stop (although occasionally the police come by to check on what he’s doing), but what he’s doing is new enough in Cuba that, he says, like any activity that’s not officially sanctioned by the government, it’s looked on with suspicion” (“The Haunting Street Art Adorning Havana’s Oldest Buildings”). Rodriguez is painting along with other street painters to give the impression of melancholy. I believe it is a voice of expression and basically a call for help in a sense. If there wasn’t underlying issue, why would these street painting be in Havana, the capital, for all tourists to see? Do you agree?

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  6. Hi Allie,

    I really enjoyed your post! I think it was the documentary about wrinkles, where the two artist took photographs of Cubas elders which really helped me to see the significance of the street art. I am really looking forward to seeing it! In regards to your questions, I do think that Cuba has a very strong relationship with it's roots and will keep in alive in music and art, as it has even during difficult times. I do think that there could be some issues with politically driven street art. I read about the current president who seems to have some progressive ideas though many said he is tight to his Communist beliefs and that is still the attitude. In addition, the nation has such a huge reliance on tourism and it could really overtake their choices. It will be interesting to see the effects of American tourism the past few years.

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